Long Island Sundial (June 21 -July 20 2007)

An Exhibit of Project Drawings by Heidi Neilson
which envisions
Long Island City’s prominent Citibank tower as a gigantic sundial. 

In a series of delicate drawings, Heidi Neilson maps out the path of the tower’s enormous shadow as it lengthens, shortens, and shifts over the course of a year. These drawings mark the launch of a yearlong project documenting the shadow’s dramatic changes as it stretches across city blocks. This public art project will develop over the coming year as the artist researches historical examples of monolithic sundials, collects information about community landmarks traversed by the shadow, and documents sundial-related phenomena on a blog, www.licsundial.net.  

Heidi Neilson is an artist living in Long Island City. She has participated in residencies at the Lower East Side Printshop, the Bronx Museum of the Arts, Women’s Studio Workshop, and the Kala Art Institute, and has exhibited at Exit Art, the International Center for Prints New York and The Drawing Center, among other venues. She received an MFA from Pratt Institute. For more information, visit www.heidineilson.com.

 More information about the project and images are available at www.licsundial.net.


Roofs 16, From the 7, 2005. etching, 12 x 18 in.


Roofs 18, From the N
, 2006. etching, aquatint and chine collé 9 x 12 in.


Roofs 19, From the 7, 2006. etching, aquatint and chine collé 18 x 24 in.


Roofs 18\7, From the 7, 2006. etching, aquatint and chine collé 18 x 24 in.


Roofs 14, From the N, 2006. etching, aquatint and chine collé 9 x 12 in.


Miranda Rights Verso (Futura bold condensed 48pt), 2006. intaglio print, 12 x 8 in.


The Backside of Genesis, Page 1 (Bodoni 8pt), 2006. intaglio print, 11 x 6 in.


Atlas of Punctuation
, 2004. Letterpress book, 30p. 9.75 x 8.5 x .5 in. Top: page spread: The Phantom Tollbooth; left: cover

Atlas of Punctuation displays the distribution of all end-of-sentence punctuation for 14 books. The punctuation for each book is consolidated to a single sheet, as if everything about the book except the punctuation was removed or made transparent, and then flattened to a plane. The books contained in the Atlas of Punctuation are representative literary classics that convey a quality of space and scale in the imagination.


Atlas of Punctuation
, 2004. Letterpress book, 30p. 9.75 x 8.5 x .5 in. Single page shown: The Little Prince


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